#jaiyeorie
TIME magazine excerpts;
An intriguing figure returns again and again to demand viewers’ attention. He wanders gorgeous African landscapes pensively, eyelids heavy and skin painted so blue as to appear almost translucent; he dances side by side with Beyoncé, hips jerking, tongue flailing outward.
Stephen “Papi” Ojo, a self-taught 22-year-old Nigerian-born performer who has quietly played an outsize role in bringing African dance to American stages. He flanked Rihanna’s right shoulder at the 2018 Grammys as their gwara gwara dance (from South Africa) became a moment of international fascination; he taught Janet Jackson the kupe (from Ghana) for her music video “Made For Now,” a vibrant whirlwind of diasphoric triumph.
And in Black is King, Ojo is the most prominent face beyond that of its headlining star. He plays the “blue man,” who represents the subconscious of the protagonist prince and the power of African dance.
It’s another unexpected moment of ascendance for a self-described “boy from Lagos” who has experienced harrowing personal tragedy and is still searching for financial stability: just a few months ago, he was packaging boxes overnight at an Amazon warehouse in Staten Island.
“I have to make sure my people are properly represented,” Ojo says. “The fact that we have a legend like Beyoncé doing these moves will make people generations from now want to research them and think, ‘If Beyoncé is doing it, it must be important! It must have some kind of meaning.’”
📎 The key is : Learn how to BE HAPPY BY YOURSELF FIRST. Because a human being that is happy on his/her own will never settle to be miserable with someone else. When you find happiness on your own then you will be able to spread it and share it with someone else. ... CRITIC ALSO 🖋️ spill TEA ☕ Easy on Shade 💣
TIME magazine excerpts;
An intriguing figure returns again and again to demand viewers’ attention. He wanders gorgeous African landscapes pensively, eyelids heavy and skin painted so blue as to appear almost translucent; he dances side by side with Beyoncé, hips jerking, tongue flailing outward.
Stephen “Papi” Ojo, a self-taught 22-year-old Nigerian-born performer who has quietly played an outsize role in bringing African dance to American stages. He flanked Rihanna’s right shoulder at the 2018 Grammys as their gwara gwara dance (from South Africa) became a moment of international fascination; he taught Janet Jackson the kupe (from Ghana) for her music video “Made For Now,” a vibrant whirlwind of diasphoric triumph.
And in Black is King, Ojo is the most prominent face beyond that of its headlining star. He plays the “blue man,” who represents the subconscious of the protagonist prince and the power of African dance.
It’s another unexpected moment of ascendance for a self-described “boy from Lagos” who has experienced harrowing personal tragedy and is still searching for financial stability: just a few months ago, he was packaging boxes overnight at an Amazon warehouse in Staten Island.
“I have to make sure my people are properly represented,” Ojo says. “The fact that we have a legend like Beyoncé doing these moves will make people generations from now want to research them and think, ‘If Beyoncé is doing it, it must be important! It must have some kind of meaning.’”
— PAPI_OJO (@PAPI_OJO) July 31, 2020
📎 The key is : Learn how to BE HAPPY BY YOURSELF FIRST. Because a human being that is happy on his/her own will never settle to be miserable with someone else. When you find happiness on your own then you will be able to spread it and share it with someone else. ... CRITIC ALSO 🖋️ spill TEA ☕ Easy on Shade 💣
0 Comments