Ini Edo hosts A Very Dirty Christmas movie 🍿🎥 premiere

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Nelly & Ashanti hosts Black &White Ball 2025

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Ooni of Ife installs Ghana President Mahama as Aare Atayeto Oodua

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Sanusi Dantata replies X follower - I use Android

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Broda Shaggi for Ofadaboy Rice Festival

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Lisa Folawiyo Bola Balogun Steph Busari - Deola Art Alade host Women and Driving Culture event

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Kenya Huddah speaks on children

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Achalugo Bamike wins bigas BEST ACTRESS

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Funke Jenifa Akindele Iyabo Ojo Tobi Baker for Behind the Scenes movie London Premiere

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Let's work out with Funke Jenifa Akindele

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Lil Nas X beats Mariah Carey

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Risachi, Didi and Ijeoma. Rest on #DrIjeomaIdaresit #edieamyco.

#jaiyeorie It's 5 year since you've been one with the angels. We love and miss you Risachi, Didi and Ijeoma. Rest on #DrIjeomaIdaresit #edieamyco. 

  

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Clive Davis enters Miami for Brandy and Monica" The Boy is Mine "Tour

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Clive Davis enters Miami for Brandy and Monica" The Boy is Mine "Tour
 

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At least 2 dead at Brown University

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Beyonce is the Co- Chair for 2026 MET GALA

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When figures like Beyoncé and Jeff Bezos step into cultural gatekeeping spaces like the Met Gala, does it signal a real shift in who defines culture — or simply a rebranding of power in more fashionable terms?

Bezos anchored next Met gala is highly anticipated for 2026

Beyoncé’s appointment as Co-Chair for the 2026 Met Gala feels less like a celebrity milestone and more like a cultural signal. Over the years, she has moved beyond fashion as spectacle into fashion as language — using clothing, symbolism, and presentation to tell stories about heritage, power, and self-definition. Her presence in this role suggests a continued shift in how global institutions recognise influence: not just visibility, but intention. When someone whose work consistently blends artistry with cultural memory steps into a curatorial position, the conversation moves from what will be worn to what will be said.

What makes this moment worth pausing over is the expectation it quietly sets. Beyoncé is known for control, depth, and narrative coherence — qualities not always associated with red-carpet culture. 

As Co-Chair, will the Met Gala become more reflective, more historically grounded, or more politically aware? Or will it simply absorb her influence without changing its centre? Perhaps the larger question is this: when artists who shape culture from the margins are invited into its most elite spaces, do those spaces evolve — or do they remain unchanged, only better dressed?

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Wale Adefarasin throwback photo

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A throwback image of Guiding light assembly church Wale Adefarasin at the beach with his wife and children offers a quieter counterpoint to the public weight often attached to spiritual leadership. Away from pulpits and titles, the photograph captures something ordinary yet rarely centered — presence, family, and unguarded time. 

It reminds us that behind public callings are private lives shaped by the same need for rest, intimacy, and grounding as anyone else. In a culture that often flattens leaders into roles, moments like this invite a softer reading of legacy — one built not only on sermons delivered or influence held, but on relationships nurtured away from view.

 Perhaps the question worth sitting with is this: how do we allow public figures the fullness of humanity, without reducing them either to ideals or to symbols?

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Blue Ivy is All GROWN UP ..... basketball🏀 game.

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Al B Sure is in Lagos for Detty December

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$50,000 monthly for 20 years - Russell Simmons Vs Kimora Lee

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A disagreement between Russell Simmons and Kimora Lee has sparked reactions online after the former couple exchanged words on Twitter. 

During the heated exchange, Russell Simmons stated that he gives Kimora Lee $50,000 monthly for 20 years, a comment that quickly gained attention on social media. The statement came amid a back-and-forth between both parties, with users sharing mixed reactions.

The exchange has continued to generate conversation online, with many debating whether financial arrangements from past relationships should be discussed publicly. As of now, neither party has provided further clarification beyond their tweets.

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Peller attempts SUICIDE allegedly... why?

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A deeply distressing episode involving popular TikTok creator Habeeb “Peller” Hamzat — hospitalised after a crash that followed a breakup with Jarvis and a viral message about wanting to end his life — has stirred more than shock; it’s sparked a broader conversation about the unseen costs of social media fame. 

Behind the videos, the livestreams, and the viral moments lies a young person navigating attention, relationships, expectation, and emotional strain in full public view, and perhaps without the quiet support most of us take for granted. What feels urgent here is not the crash itself, but the way pain, uncertainty, and heartbreak can ripple through screens into real lives, revealing how fragile mental well-being can be when layered with public scrutiny and inner turmoil. 

In a world where creators are regularly encouraged to be “authentically online,” there is a deeper question worth sitting with: how do we — as communities, audiences, and neighbours — recognise and respond when someone’s struggle becomes more than content and less than a headline?

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Rick Ross is in Lagos

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Teairra Mari Vs 50 cent on $30,000 OWED

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A back-and-forth fight unfolded like a cultural battle — two known artists caught less in a music feud and more in a conversation about accountability, justice and the public currency of reputation. What started after Teairra Mari lost a legal case and was ordered to pay 50 Cent roughly $30,000 became a long-running online dance between money owed and meaning claimed. Rather than quietly resolving the debt, Mari released a diss track titled “I Ain’t Got It”, not just as a declaration of financial reality but as a kind of personal anthem — one that prided itself in resilience even in the face of obligation. 50 Cent’s subsequent reaction — trademarking the phrase, selling merchandise, and continuing to press for payment — turned a legal dispute into a public storyline that feels as much about cultural posture as it does about numbers. 

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We as men encourage bad behaviour in women TOO MUCH- Don Jazzy replies

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Aliko Dangote Foundation pledges 100 billion naira annual education fund program

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What kind of impact does consistent education funding create that one-off donations cannot?

The announcement of the Aliko Dangote Foundation’s ₦100 billion annual education fund lands as more than a philanthropic headline; it signals a long-term bet on human capacity. Education funding at this scale shifts the conversation from one-off scholarships to systems — classrooms, teachers, research, and access. The event brought together a cross-section of influence: foundation leadership, education stakeholders, policymakers, and institutional partners, all gathered around a shared acknowledgment that national development is inseparable from learning. In a country where education is often discussed in terms of gaps and strikes, the gesture reframes the question toward continuity and responsibility.

What makes the moment worth pausing over is not just the size of the commitment, but the philosophy behind it. Aliko Dangote’s presence, alongside public officials and education leaders, Justice Sidi Bage, JSC ,Ooni of Ife, Oba Adeyeye Enitan Ogunwusi (Ojaja II) Hadiza Balarabe, Wale Edun ,Dr. Maruf Tunji Alausa underscored a growing recognition that private wealth and public futures are increasingly intertwined. When long-term education funding becomes predictable rather than occasional, it alters how young people imagine possibility and how institutions plan for impact. Beyond applause, the deeper conversation may be about sustainability: how such investments shape culture, accountability, and expectations over time — and what it means when private actors step into roles once assumed to be solely public.

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