Tell Abimbola Craig anything

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Blessing Obasi scene in Bimbo Ademoye movie Where Love Lives is EXCEPTIONAL

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Uche Pedro praise Singer Flavour tenacity in the music Industry

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Tinubu Tax Tsar OYEDELE Lied allegedly !

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Why use Ibukun Awosika name for a scam

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Guess who these threesome are

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Temi Otedola is PREGNANT

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Doris Ogala accepts apology from Pastor Okafor

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MC Macaroni scores 1 million subscribers on YOUTUBE

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Eniola Badmus as a sexy ELF for Christmas 2025

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MC Ajele - Pres Trump shares Bomb in Nigeria for Christmas day

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Nse ETim sister Uya flaunts the love of her life

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Anda Damisa commits SUICIDE

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Should Nigerians boycott GLOVO

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Lisa Folawiyo hosts Christmas 2025 indoors party

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This Christmas, acclaimed fashion designer Lisa Folawiyo chose warmth and intimacy over spectacle, welcoming friends and family into her beautifully curated indoor space for a festive celebration. In a season often marked by crowds and grandeur, her gathering felt like a quiet embrace — laughter threading through candlelit rooms, thoughtfully set tables, and the kind of conversations that don’t rush but settle into you. Close creative peers and loved ones shared in the moment, not as attendees of a show, but as witnesses to one another’s presence — each person part of the fabric of the evening rather than its decoration.

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The Guardian crowns Aliko Dangote as PERSON OF THE YEAR 2025

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The Guardian newspaper has named Aliko Dangote as its Person of the Year for 2025, recognising his impact on business, industry, and economic development in Africa.

The award highlights Dangote’s leadership of the Dangote Group, whose portfolio spans cement, sugar, salt, flour, and refining — including the continent’s largest oil refinery in Lagos, among other strategic investments.

This honour acknowledges his role in job creation, infrastructure development, and positioning Africa within global markets through industrialisation and strategic entrepreneurship.

Anointing Aliko Dangote as Person of the Year feels like more than a gesture of business acumen; it feels like a quiet acknowledgement of endurance in a landscape that rarely rewards patience. Dangote’s journey — from early entrepreneurial beginnings to becoming Africa’s richest man and a central figure in continental industry — mirrors a larger story about ambition rooted in origin, not origin abandoned. This award does not merely celebrate wealth; it honours a persistent shaping of ecosystems, a willingness to build complex institutions in environments where infrastructure, expectations, and resources often challenge persistence itself.

In a season where global headlines tend to celebrate flash and novelty, this recognition invites us into a subtler conversation: what is it that sustains influence long after the first headline fades? In Dangote’s story, longevity speaks not just to success, but to a kind of quiet constancy — of showing up, of reinvesting presence into community, of seeing possibility where others see uncertainty. And perhaps the lingering question beneath that crown is this: when we measure a life’s significance, do we value the disruption it caused, or the lives it steadied along the way?

When you think about leadership that lasts — not just wins — what qualities do you see repeated, and why do they matter beyond the moment itself? 

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Tyler Perry Vs Mario Rodriguez

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Filmmaker Tyler Perry has been sued by actor and model Mario Rodriguez, who appeared in the 2016 film Boo! A Madea Halloween. Rodriguez filed a $77 million lawsuit on December 25, 2025, alleging sexual assault, sexual battery, and intentional infliction of emotional distress over multiple years. 

According to the complaint, the alleged incidents occurred in Perry’s Los Angeles home and involved unwanted advances and inappropriate physical contact. The lawsuit also names Lionsgate, the film’s distributor, alleging the company ignored Perry’s conduct. 

Perry’s attorney has denied the allegations and described the lawsuit as a “money grab,” while Rodriguez has pointed to alleged power dynamics and released text messages to support his claims. 

When we hear conflicting stories from two people whose worlds once overlapped, how do we hold space for complexity without dismissing anyone’s truth?

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Throwback photo of Bambam

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PETA comes for Kim Kardashian for buying puppies for her children for Christmas

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 PETA founder Ingrid Newkirk issued a statement saying “Puppies are not plushies” and urged the reality star to consider adoption from shelters instead of buying purebred dogs from breeders. 

The organization also suggested that Kim and her sister Khloé Kardashian, who also gifted a puppy, could help by supporting animal-welfare efforts like shelter volunteering or adoption drives. 

 

There’s something quietly layered about this moment — a picture that felt sweet to some and thoughtless to others. The image of tiny Pomeranians nestled together on Christmas Day was meant to read as joy and abundance, but underneath it stirred a broader conversation about what gifts really mean when they involve another life. PETA’s response — “Puppies are not plushies” — strikes not because it’s harsh, but because it reminds us of a tension we rarely name: the difference between giving love and giving responsibility in a world where both are in short supply. When we unwrap living creatures as gifts, we are also unpacking questions about duty, belonging, and the shared stakes of care that stretch beyond festive moments. 

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Anthony Joshua mother must be A PRAYER WARRIOR

Anthony Joshua, the British-Nigerian boxing champion, recently survived a tragic car crash in Ogun State, Nigeria, that claimed the lives of two of his closest team members and left the boxing world reeling. Nigerian President Bola Ahmed Tinubu spoke with Joshua and his mother after the accident, offering condolences and prayers — and it was her name that surfaced again and again, not just as family but as a source of spiritual grounding for her son during one of his darkest moments. 

In a culture where prayer isn’t ritual but language, the strength of Joshua’s mother — Yeta Odusanya — feels like a lifeline. She has stood with him through his rise, lived with him even in adulthood out of closeness and cultural values, and now carries the emotional weight of this tragedy with a dignity that feels beyond explanation. Joshua himself has spoken in the past about the importance of family and prayer in his journey through wins, losses, and faith-tested moments. 

Toke Makinwa’s Christmas 2025 — First Holiday as a Mother, Full of Love and FAMILY

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Toke Makinwa celebrated Christmas 2025 in a way her heart had never known before — not as a quiet solo morning, but as a full, overflowing season alongside her daughter, Yakira Eliana. Sharing festive photos on social media, she reflected on how her Christmas mornings used to be quiet and unassuming, yet this year was different: “My heart is not just full; my cup runneth over. Thank you, Lord. Merry Christmas from Yakira Eliana and I,” she wrote as she posed in matching holiday outfits by a decorated tree. 

This wasn’t just a picture moment — it was a quiet testimony about how seasons of life shift meaning. Where past Christmases might have passed without notice, this one anchored itself in presence, love, and legacy felt in tiny hands, shared laughter, and a new family rhythm. In a joyful but simple holiday frame, Toke’s celebration reflected something many of us carry quietly: that the people who make our holidays matter are often the ones who make our souls feel at home. And perhaps that’s the soft echo this Christmas leaves behind — **when love reshapes tradition, what parts of our old celebrations do we bring forward, and what parts gently fall away?

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Dwayne Wade + Gabrielle union Family Christmas 2025

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Tana Adelana 2025 birthday party+ gifts

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“Oversabi Aunty” Crosses ₦382 Million at the Box Office — Toyin Abraham’s Festive Win

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Toyin Abraham’s festive release Oversabi Aunty has crossed ₦382 million at the Nigerian box office, emerging as one of December 2025’s strongest cinema performers. Distributed by FilmOne Entertainment, the film achieved the milestone within its first two weeks in cinemas, drawing audiences nationwide with its familiar humour and ensemble cast that includes Mike Ezuruonye, Efe Irele, Jemima Osunde, Kidbaby, and Adedamee. The numbers reflect steady audience turnout rather than a single viral spike — a sign of sustained interest through the holiday season.

Beyond the figures, the film’s success points to something softer but more enduring. Oversabi Aunty works because it feels recognisable — a reflection of everyday family dynamics, unspoken tensions, and shared laughter that doesn’t need exaggeration to land. In a season often dominated by spectacle, the movie’s appeal lies in its warmth and relatability, reminding us that stories rooted in familiarity often travel the furthest. And as audiences continue to show up, one quiet question remains: what does it say about us when the stories we reward most are the ones that feel closest to home?

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Seyi Tinubu Shines at Eyo Festival 2025 — A Quiet Celebration of Culture, Honour, and Legacy

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Seyi Afolabi Tinubu was a visible presence at the 2025 Eyo Festival in Lagos, marking the return of the historic cultural celebration after several years. Ahead of the procession at Tafawa Balewa Square, he was installed as Okanlòmo of Eyọ Ọba Alakẹtẹ Pupa, Laba Ẹkun, an honour traditionally linked to service and participation in Lagos’ cultural heritage. The festival drew cultural custodians, political leaders, and thousands of spectators, as white-clad Eyo masquerades filled the city in a powerful display of tradition and continuity.

Beyond the ceremony, the moment carried a quieter significance. In a city constantly negotiating between memory and momentum, Seyi Tinubu’s role felt less about prominence and more about belonging — a reminder that legacy is not only inherited, but practiced. The Eyo Festival doesn’t ask for attention; it invites participation, presence, and respect for what came before. And as Lagos tells its story through drums, movement, and ritual, one thought lingers gently: when culture calls us to show up, do we answer as spectators — or as custodians of what we hope will endure? 

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