Tell Abimbola Craig anything

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Blessing Obasi Nze scene in Bimbo Ademoye movie Where Love Lives is EXCEPTIONAL

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In the viral Nollywood YouTube release Where Love Lives — which has already crossed millions of views in just days online —  actress Blessing Obasi delivered a memorable moment despite appearing in just one scene. The film, produced by Bimbo Ademoye in partnership with A3 Studios and starring Uzor Arukwe, Chioma Nwosu, and Osas Ighodaro, explores love, class, and neighbourly tensions inside a Lagos estate. 

Fellow actor and producer Bimbo Ademoye praised Blessing’s performance, noting that from wardrobe to delivery she owned her character with confidence and presence — turning what could have been a fleeting appearance into something sharp and unmistakable. 

There’s a quiet kind of brilliance in being able to arrive, speak, and be felt — even when the screen time is fleeting. Blessing Obasi’s scene in Where Love Lives didn’t need minutes to matter; it needed truth. When an actor brings full presence to a moment, they don’t just act — they translate something about the world of the story. In that single appearance, she didn’t just fill space; she expanded it, giving texture to the world around the leads and reminding us that attention to craft always echoes longer than attention to screen time.

In a project that’s already become a digital phenomenon — crossing millions of eyeballs and sparking conversations about love, status, and identity — that kind of cameo feels less like a footnote and more like a heartbeat in the larger rhythm of the film. Maybe that’s the deeper thing Blessing’s moment teaches us: sometimes, the scenes that last in memory aren’t the longest — they’re the ones that feel fully lived. And perhaps the lingering question is this: when presence meets intention, how often do we underestimate the weight of a single moment? 

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Uche Pedro praise Singer Flavour tenacity in the music Industry

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Media personality Uche Pedro recently lauded Nigerian singer Flavour for his enduring presence and tenacity in the music industry. In her remarks, she highlighted his consistency, longevity, and ability to remain relevant across changing sounds and audience tastes. Flavour, known for hits like Nwa Baby (Ashawo Remix) and Ada Ada, has continued to evolve his sound while celebrating cultural roots.

Pedro’s praise came during a public appreciation conversation where she acknowledged Flavour’s journey — from early stages of his career to becoming one of Africa’s most respected vocalists and showmen.

When a figure like Uche Pedro speaks about someone like Flavour, it isn’t just applause — it’s recognition of an ongoing story. The music industry is a terrain where trends flare and fade, but Flavour’s trajectory reads like a melody that refuses to be forgotten. What Pedro’s words quietly highlight is not only his vocal talent or chart success, but the durability of spirit — the kind that keeps an artist rooted in craft while allowing evolution to happen without chasing every passing wave. In a landscape that often celebrates the new at the expense of the sustained, this praise serves as a subtle re-centering: endurance has its own kind of elegance.

There’s something deeply human about tenacity — not just the ability to persist, but to persist with integrity. Flavour’s journey reminds us that longevity is not simply about survival, but about relevance shaped by identity, adaptability, and heartfelt resonance. When people like Uche Pedro point to this kind of example, they are inviting us to reflect not only on a career well led, but on what it means to stay in the ring of life with both feet grounded and both hands open to growth. And perhaps the question this kind of praise leaves with us is this: in our own paths, how do we balance the courage to endure with the grace to evolve?

When you think of someone whose greatness wasn’t sudden but sustained, what does their journey teach you about your own persistence and identity?
 

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Tinubu Tax Tsar OYEDELE Lied allegedly !

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Why use Ibukun Awosika name for a scam

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Guess who these threesome are

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Temi Otedola is PREGNANT

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Doris Ogala accepts apology from Pastor Okafor

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MC Macaroni scores 1 million subscribers on YOUTUBE

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Comedian and content creator MC Macaroni has reached 1 million subscribers on YouTube, marking a major milestone for his online presence. The Nigerian entertainer, known for his humorous skits, social commentary, and engaging content, celebrated the achievement with gratitude to fans and supporters. Across platforms, fans and fellow creators joined in congratulating him for this milestone in his digital journey.

There’s something quietly reassuring about watching someone you’ve followed grow not overnight, but through consistent presence and authentic voice. MC Macaroni’s journey to 1 million subscribers didn’t happen because of a single viral moment. It came from many small moments — sketches that made people laugh, saw themselves, and felt seen. In a landscape that often rushes toward instant fame, there is a deeper value in steady rhythm: the creator who shows up, again and again, inviting us to stay with him through humour, reflection, and the mundane brilliance of daily life.

Reaching a milestone like this doesn’t just signal popularity — it signals relationship. Viewers didn’t just press subscribe; they entered a pattern of connection, returning because they trusted the tone, content, and personality behind the screen. And perhaps the soft question this achievement leaves lingering is this: when we choose to follow someone’s work over time, what part of ourselves are we investing in — the laughter, the familiarity, or the recognition that our own lives are reflected in theirs?

What’s a creator you follow not because they went viral, but because you want to return to them again and again — and why?*

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Eniola Badmus as a sexy ELF for Christmas 2025

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MC Ajele - Pres Trump shares Bomb in Nigeria for Christmas day

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On Christmas Day 2025, the United States military carried out airstrikes against ISIS terrorists in northwest Nigeria’s Sokoto State, a move announced by President Donald Trump and confirmed by U.S. Africa Command. Nigerian authorities said the operation was undertaken with intelligence support and cooperation between Nigerian and U.S. forces, targeting insurgent camps linked to extremist groups. 

Trump framed the action as a response to what he described as ongoing violence against Christians in the country, praising the strikes on his social media, while Nigerian officials emphasised that the violence in Nigeria affects both Christians and Muslims and that the operation was part of broader security cooperation. 

There is a curious and weighty silence beneath this Christmas Day action — not the silence of peace, but the kind that follows decisions made far from the communities most affected. When missiles fly against militants on a day meant for reflection and togetherness, the narrative becomes more than a tactical announcement; it becomes a mirror for global and local storytelling about security, faith, and intervention. Trump’s framing, echoed by some of his supporters, cast the strikes as a defence of some over others — a narrative that stirred deeper conversations about whom we imagine as deserving protection, and in what terms we justify force.

In Nigeria, a nation marked by a tapestry of faiths and histories, violence afflicts people across lines of religion, ethnicity, and geography. The holiday strikes invite us to look at how stories of suffering and response travel across borders, and how collective pain can be translated into action that may be welcomed by some and questioned by others. Perhaps the deeper thread beneath this moment is not simply what happened, but how we hold both intention and consequence together — the intention to protect life, and the consequence felt in places where peace and fear are not abstract terms but daily lived realities. And the quiet question that lingers is this: when global power speaks in terms of protection, whose stories are being foregrounded — and whose voices get left behind?
 

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Nse ETim sister Uya flaunts the love of her life

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Anda Damisa commits SUICIDE

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Should Nigerians boycott GLOVO

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A growing conversation on Nigerian social media is calling for a boycott of Glovo, the international delivery platform, over reported issues including high service fees, alleged unfair treatment of delivery riders, and concerns about pricing transparency. Some users argue that Glovo’s model disadvantages local riders and encourages pricing patterns that don’t reflect local earning realities. Others defend Glovo, noting that it provides convenience and jobs in an increasingly digital service economy.

When a brand becomes the subject of a boycott call, it tells us something quieter and deeper than the surface disagreement — it signals a moment of collective self-reflection about values, economy, and community fairness. Nigeria’s tech ecosystem today sits at an intersection: the allure of global convenience meets the lived daily realities of local gig workers who carry the weight of that convenience on city streets. The question about Glovo, then, isn’t simply “Should we stop using an app?” but “What kind of systems do we want to strengthen with our choices?” In a swiftly digitalising economy, every tap on a screen sends an economic ripple towards someone — a rider, a restaurant owner, a platform investor — and often these ripples are felt before they’re seen.

In this light, the call for a boycott becomes less about a single company and more about agency — who gets to benefit from the networks we participate in, who gets seen, and who continues to stay behind the scenes. Perhaps the deeper question this moment invites isn’t just yes or no, but this: when we withhold our participation from a platform, what vision of fairness, dignity, and reciprocity are we choosing to support instead?

In an economy where choices often feel small — a tap here, a click there — how do you decide which systems deserve your support and which ones need you to walk away?

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Lisa Folawiyo hosts Christmas 2025 indoors party

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This Christmas, acclaimed fashion designer Lisa Folawiyo chose warmth and intimacy over spectacle, welcoming friends and family into her beautifully curated indoor space for a festive celebration. In a season often marked by crowds and grandeur, her gathering felt like a quiet embrace — laughter threading through candlelit rooms, thoughtfully set tables, and the kind of conversations that don’t rush but settle into you. Close creative peers and loved ones shared in the moment, not as attendees of a show, but as witnesses to one another’s presence — each person part of the fabric of the evening rather than its decoration.

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The Guardian crowns Aliko Dangote as PERSON OF THE YEAR 2025

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The Guardian newspaper has named Aliko Dangote as its Person of the Year for 2025, recognising his impact on business, industry, and economic development in Africa.

The award highlights Dangote’s leadership of the Dangote Group, whose portfolio spans cement, sugar, salt, flour, and refining — including the continent’s largest oil refinery in Lagos, among other strategic investments.

This honour acknowledges his role in job creation, infrastructure development, and positioning Africa within global markets through industrialisation and strategic entrepreneurship.

Anointing Aliko Dangote as Person of the Year feels like more than a gesture of business acumen; it feels like a quiet acknowledgement of endurance in a landscape that rarely rewards patience. Dangote’s journey — from early entrepreneurial beginnings to becoming Africa’s richest man and a central figure in continental industry — mirrors a larger story about ambition rooted in origin, not origin abandoned. This award does not merely celebrate wealth; it honours a persistent shaping of ecosystems, a willingness to build complex institutions in environments where infrastructure, expectations, and resources often challenge persistence itself.

In a season where global headlines tend to celebrate flash and novelty, this recognition invites us into a subtler conversation: what is it that sustains influence long after the first headline fades? In Dangote’s story, longevity speaks not just to success, but to a kind of quiet constancy — of showing up, of reinvesting presence into community, of seeing possibility where others see uncertainty. And perhaps the lingering question beneath that crown is this: when we measure a life’s significance, do we value the disruption it caused, or the lives it steadied along the way?

When you think about leadership that lasts — not just wins — what qualities do you see repeated, and why do they matter beyond the moment itself? 

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Tyler Perry Vs Mario Rodriguez

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Filmmaker Tyler Perry has been sued by actor and model Mario Rodriguez, who appeared in the 2016 film Boo! A Madea Halloween. Rodriguez filed a $77 million lawsuit on December 25, 2025, alleging sexual assault, sexual battery, and intentional infliction of emotional distress over multiple years. 

According to the complaint, the alleged incidents occurred in Perry’s Los Angeles home and involved unwanted advances and inappropriate physical contact. The lawsuit also names Lionsgate, the film’s distributor, alleging the company ignored Perry’s conduct. 

Perry’s attorney has denied the allegations and described the lawsuit as a “money grab,” while Rodriguez has pointed to alleged power dynamics and released text messages to support his claims. 

When we hear conflicting stories from two people whose worlds once overlapped, how do we hold space for complexity without dismissing anyone’s truth?

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Throwback photo of Bambam

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PETA comes for Kim Kardashian for buying puppies for her children for Christmas

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 PETA founder Ingrid Newkirk issued a statement saying “Puppies are not plushies” and urged the reality star to consider adoption from shelters instead of buying purebred dogs from breeders. 

The organization also suggested that Kim and her sister Khloé Kardashian, who also gifted a puppy, could help by supporting animal-welfare efforts like shelter volunteering or adoption drives. 

 

There’s something quietly layered about this moment — a picture that felt sweet to some and thoughtless to others. The image of tiny Pomeranians nestled together on Christmas Day was meant to read as joy and abundance, but underneath it stirred a broader conversation about what gifts really mean when they involve another life. PETA’s response — “Puppies are not plushies” — strikes not because it’s harsh, but because it reminds us of a tension we rarely name: the difference between giving love and giving responsibility in a world where both are in short supply. When we unwrap living creatures as gifts, we are also unpacking questions about duty, belonging, and the shared stakes of care that stretch beyond festive moments. 

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Anthony Joshua mother must be A PRAYER WARRIOR

Anthony Joshua, the British-Nigerian boxing champion, recently survived a tragic car crash in Ogun State, Nigeria, that claimed the lives of two of his closest team members and left the boxing world reeling. Nigerian President Bola Ahmed Tinubu spoke with Joshua and his mother after the accident, offering condolences and prayers — and it was her name that surfaced again and again, not just as family but as a source of spiritual grounding for her son during one of his darkest moments. 

In a culture where prayer isn’t ritual but language, the strength of Joshua’s mother — Yeta Odusanya — feels like a lifeline. She has stood with him through his rise, lived with him even in adulthood out of closeness and cultural values, and now carries the emotional weight of this tragedy with a dignity that feels beyond explanation. Joshua himself has spoken in the past about the importance of family and prayer in his journey through wins, losses, and faith-tested moments. 

Toke Makinwa’s Christmas 2025 — First Holiday as a Mother, Full of Love and FAMILY

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Toke Makinwa celebrated Christmas 2025 in a way her heart had never known before — not as a quiet solo morning, but as a full, overflowing season alongside her daughter, Yakira Eliana. Sharing festive photos on social media, she reflected on how her Christmas mornings used to be quiet and unassuming, yet this year was different: “My heart is not just full; my cup runneth over. Thank you, Lord. Merry Christmas from Yakira Eliana and I,” she wrote as she posed in matching holiday outfits by a decorated tree. 

This wasn’t just a picture moment — it was a quiet testimony about how seasons of life shift meaning. Where past Christmases might have passed without notice, this one anchored itself in presence, love, and legacy felt in tiny hands, shared laughter, and a new family rhythm. In a joyful but simple holiday frame, Toke’s celebration reflected something many of us carry quietly: that the people who make our holidays matter are often the ones who make our souls feel at home. And perhaps that’s the soft echo this Christmas leaves behind — **when love reshapes tradition, what parts of our old celebrations do we bring forward, and what parts gently fall away?

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Dwayne Wade + Gabrielle union Family Christmas 2025

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Tana Adelana 2025 birthday party+ gifts

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“Oversabi Aunty” Crosses ₦382 Million at the Box Office — Toyin Abraham’s Festive Win

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Toyin Abraham’s festive release Oversabi Aunty has crossed ₦382 million at the Nigerian box office, emerging as one of December 2025’s strongest cinema performers. Distributed by FilmOne Entertainment, the film achieved the milestone within its first two weeks in cinemas, drawing audiences nationwide with its familiar humour and ensemble cast that includes Mike Ezuruonye, Efe Irele, Jemima Osunde, Kidbaby, and Adedamee. The numbers reflect steady audience turnout rather than a single viral spike — a sign of sustained interest through the holiday season.

Beyond the figures, the film’s success points to something softer but more enduring. Oversabi Aunty works because it feels recognisable — a reflection of everyday family dynamics, unspoken tensions, and shared laughter that doesn’t need exaggeration to land. In a season often dominated by spectacle, the movie’s appeal lies in its warmth and relatability, reminding us that stories rooted in familiarity often travel the furthest. And as audiences continue to show up, one quiet question remains: what does it say about us when the stories we reward most are the ones that feel closest to home?

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Seyi Tinubu Shines at Eyo Festival 2025 — A Quiet Celebration of Culture, Honour, and Legacy

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Seyi Afolabi Tinubu was a visible presence at the 2025 Eyo Festival in Lagos, marking the return of the historic cultural celebration after several years. Ahead of the procession at Tafawa Balewa Square, he was installed as Okanlòmo of Eyọ Ọba Alakẹtẹ Pupa, Laba Ẹkun, an honour traditionally linked to service and participation in Lagos’ cultural heritage. The festival drew cultural custodians, political leaders, and thousands of spectators, as white-clad Eyo masquerades filled the city in a powerful display of tradition and continuity.

Beyond the ceremony, the moment carried a quieter significance. In a city constantly negotiating between memory and momentum, Seyi Tinubu’s role felt less about prominence and more about belonging — a reminder that legacy is not only inherited, but practiced. The Eyo Festival doesn’t ask for attention; it invites participation, presence, and respect for what came before. And as Lagos tells its story through drums, movement, and ritual, one thought lingers gently: when culture calls us to show up, do we answer as spectators — or as custodians of what we hope will endure? 

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